{"id":2534,"global_id":"2015.kyotographie.jp\/en?id=2534","global_id_lineage":["2015.kyotographie.jp\/en?id=2534"],"author":"1","status":"publish","date":"2015-04-14 01:48:57","date_utc":"2015-04-13 16:48:57","modified":"2015-04-14 02:03:43","modified_utc":"2015-04-13 17:03:43","url":"https:\/\/2015.kyotographie.jp\/en\/event\/acoustic-concert-koizumi","rest_url":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/tribe\/events\/v1\/events\/2534","title":"Acoustic Concert by Yoshihito “P” Koizumi, basist from Kyoto Jazz Sextet","description":"

\"image2\"<\/div>\n

[Performance]<\/h5>\n

Yoshihito “P” Koizumi<\/p>\n

[Venue]<\/h5>\n

SHIMADAI GALLERY KYOTO
\n16:00\u301c<\/p>\n

[Fee]<\/h5>\n

Free<\/p>\n

[Program name for reservation]<\/h5>\n

Acoustic Concert by Yoshihito “P” Koizumi<\/div><\/div>\n

<\/div>\n

[contact-form-7 id=”” title=”\u30a4\u30d9\u30f3\u30c8\u7533\u8fbc_EN”]<\/p>\n

[\/contact-form-7]<\/div>\n

\"jazz\"Yoshihito “P” Koizumi<\/b>
\nBorn in Aichi, Japan.
\nIn infancy, he started to play the violin. After practiced drums and guitars, he became an bassist.
\nSince 2003, he has been a member of \u201cOMASOUND\u201d formed by Isao Suzuki.
\nIn 2007, he released \u201cMovement\u201d from his own band uni-birth.
\nIn 2009, he joined an event organised by Shuya Okino “TokyoCrossover \/ Jazz Festival\u201d.
\nIn 2011, Yoshihito released \u201cBy Confidence\u201d. The album was produced by himself.
\nIn 2013, he collaborated with Gregory Porter as a part of a band Monday Michiru at the Java Jazz Festival. Later that year, he debuted from BLUE NOTE as the bassist of HEX presented by Toshio Matsuura.
\nIn 2014, he toured in Europe.
\nIn 2015, he joined KYOTO JAZZ SEXTET formed by Shuya Okino and released \u201cMISSION\u201d from BLUE NOTE.<\/p>\n

He also joins concerts and recordings by various artists\u2019 including Saki Takaoka, Tatsuo Sunaga, Hideki Togi, Iwao Furusawa, Hajime Yoshizawa, Jill-Decoy association, Orange pekoe, and SAIGENJI.<\/div><\/div>","excerpt":"","slug":"acoustic-concert-koizumi","image":{"url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai.jpg","id":1627,"extension":"jpg","width":775,"height":384,"sizes":{"thumbnail":{"width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-150x150.jpg"},"medium":{"width":300,"height":149,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-300x149.jpg"},"wysija-newsletters-max":{"width":600,"height":297,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-600x297.jpg"},"posts-widget-thumb":{"width":60,"height":60,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-60x60.jpg"},"posts-widget-thumb-small":{"width":43,"height":43,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-43x43.jpg"},"wpv-sermons-thumbnail":{"width":106,"height":106,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-106x106.jpg"},"post-loop":{"width":480,"height":369,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-480x369.jpg"},"portfolio-masonry-2":{"width":555,"height":275,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-555x275.jpg"},"portfolio-loop-2":{"width":555,"height":370,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-555x370.jpg"},"post-small-2":{"width":555,"height":384,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-555x384.jpg"},"portfolio-masonry-3":{"width":360,"height":178,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-360x178.jpg"},"portfolio-loop-3":{"width":360,"height":240,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-360x240.jpg"},"post-small-3":{"width":360,"height":276,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-360x276.jpg"},"portfolio-masonry-4":{"width":262,"height":130,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-262x130.jpg"},"portfolio-loop-4":{"width":262,"height":175,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-262x175.jpg"},"post-small-4":{"width":262,"height":201,"mime-type":"image\/jpeg","url":"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/shimadai-262x201.jpg"}}},"all_day":false,"start_date":"2015-04-25 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