{"id":1082,"date":"2015-02-15T12:40:31","date_gmt":"2015-02-15T03:40:31","guid":{"rendered":"https:\/\/2015.kyotographie.jp\/2015portal\/exhibition"},"modified":"2015-03-20T01:12:58","modified_gmt":"2015-03-19T16:12:58","slug":"exhibition","status":"publish","type":"page","link":"https:\/\/2015.kyotographie.jp\/en\/exhibition","title":{"rendered":"Exhibitions [Artists & Venues]"},"content":{"rendered":"
\uff3bTheme\uff3d<\/h5>\n

TRIBE \u2013 What\u2019s your Story?<\/h3>\n

The tribe is a source of fascination in a world where globalization and population displacement poses the crucial question of identity and belonging. Inclusion is vital to our happiness so the tribe attracts. Now, as in times past the tribe becomes a way of connecting and sharing important information and ideologies. By sharing a heritage, collective conscience, or common values the tribe embraces us and becomes a significant and recognized factor in our social fabric. Crossing the globe in search of the places where people meet, engage and form special relationships the 2015 exhibitions look back at the past and investigate the present, searching for the unique stories we all weave. Tribe asks what it means to belong and questions how we identify as individuals, both as a choice and as matter of circumstance.<\/div>\n

[Related informations]<\/h5>\n

Venue Map<\/a>
\nSchedule<\/a><\/div><\/div>\n

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\uff3bExhibitions List\uff3d<\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u2460<\/td>\nGuimet National Museum of Asian Arts, Photographic Collections<\/strong><\/td>\nLast Samurais, First Photographs<\/td>\nTORAYA Kyoto Gallery<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2461<\/td>\nLucas Foglia<\/strong><\/td>\nA Natural Order<\/td>\nYuuhisai Koudoukan<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2462<\/td>\nMartin Gusinde<\/strong><\/td>\nThe Spirit of the Tierra del Fuego people, Sel\u2019knam,Yamana, Kaw\u00e9sqar<\/td>\nKyoto City Hall open square (working)<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2463<\/td>\nRoger Ballen<\/strong><\/td>\nRoger Ballen’s Shadowland 1969-2014<\/td>\nCOMME des GAR\u00c7ONS Kyoto (a) Horikawa Oike Gallery (b)<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2464<\/td>\nFrancis Wolff<\/strong><\/td>\nA Vision of Jazz: Francis Wolff and Blue Note Records<\/td>\nSHIMADAI GALLERY KYOTO<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2465<\/td>\nSuntag Noh<\/strong><\/td>\nreallyGood, murder<\/td>\nGallery SUGATA<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2466<\/td>\nMarc Riboud<\/strong><\/td>\n\u300cAlaska\u300d presented by CHANEL NEXUS HALL<\/td>\nKondaya Genbei Kurogura<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2467<\/td>\nYusuke Yamatani<\/strong><\/td>\nTsugi no yoru e<\/td>\nMumeisha<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2468<\/td>\nKimiko Yoshida<\/strong><\/td>\nAll that’s not me<\/td>\nNoguchi Residence, Karaku-an<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u2469<\/td>\nRongRong & inri<\/strong><\/td>\nTsumari Story<\/td>\nRyosokuin (Kenninji temple)<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u246a<\/td>\nOliver Sieber<\/strong><\/td>\nImaginary Club<\/td>\nASPHODEL<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u246b<\/td>\nFosco Maraini<\/strong><\/td>\nThe Enchantment of the Women of the Sea — by “Museo delle Culture” of Lugano<\/td>\nTraditional building in Gion Shinbashi (PASS THE BATON KYOTO GION\/Opening in summer 2015) <\/small><\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u246c<\/td>\nLouis Jammes<\/strong><\/td>\nTchernobyl<\/td>\nSferaExhibition<\/td>\nDetail<\/a><\/td>\n<\/tr>\n
\u246d<\/td>\nBaudouin Mouanda<\/strong><\/td>\nThe Sapeurs of Bacongo<\/td>\nMurakamijyu Building<\/td>\nDetail<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
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