[Speaker]<\/h5>\n
Sam Stoudze \u2013 Director of Les Rencontres d’Arles)
\nPascal Beausse \u2013 Head of Photographic Collections at the Centre National des Arts Plastiques (CNAP), Paris.
\nTetsuya Ozaki \u2013 Publisher\/Chief Editor at “REALTOKYO” and \u201cREAL KYOTO”<\/p>\n
[Venue]<\/h5>\n
Institut fran\u00e7ais du Japon<\/p>\n
[Fee]<\/h5>\n
Free<\/p>\n
[Reservation]<\/h5>\n
isabelle.olivier@institutfrancais.jp<\/p>\n
A Discussion with Sam Stoudze and Pascal Beausee moderated by Tetsuya Ozaki. [Speaker] Sam Stoudze \u2013 Director of Les Rencontres d’Arles) Pascal Beausse \u2013 Head of Photographic Collections at the Centre National des Arts Plastiques (CNAP), Paris. Tetsuya Ozaki \u2013 Publisher\/Chief Editor at “REALTOKYO” and \u201cREAL KYOTO” [Venue] Institut fran\u00e7ais du Japon [Fee] Free [Reservation]…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[32,34],"_links":{"self":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/2244"}],"collection":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/comments?post=2244"}],"version-history":[{"count":1,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/2244\/revisions"}],"predecessor-version":[{"id":2245,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/2244\/revisions\/2245"}],"wp:attachment":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media?parent=2244"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tags?post=2244"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=2244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"ss72\"](\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/ss72.jpg\")
Sam Stoudze<\/b>
\nSAM STOURDZE is the director of Les Rencontres d\u2019Arles Photography Festival.
\nA specialist of images, his research focuses on the contexts of their production, distribution and reception. He has studied for many years the mechanisms involved in the circulation of images, concentrating on the ties linking photography, art and cinema.
\nHe organized a number of international exhibitions as an independent curator and published several books, notably Le Cliche\u0301-Verre de Corot a\u0300 Man Ray, the retrospectives of Dorothea Lange and Tina Modotti, Chaplin et les images, Fellini, La Grande parade, or recently, Derrie\u0300re le rideau \u2013 L\u2019Esthe\u0301tique Photomaton. Stourdze\u0301 received a fellowship from the Villa Medicis \u2013 French Academy in Rome. He was the director the Mus\u00e9e de l\u2019Elys\u00e9e and editor in chief of the Magazine ELSE from 2010 to 2014.<\/p>\n![\"02_Pascal](\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/02_Pascal-Beausse.jpg\")
Pascal Beausse<\/b>
\nAn Art Critic and a Curator, Pascal Beausse is currently the Head of Photographic Collections at the Centre National des Arts Plastiques (CNAP) in Paris. He is also Guest Professor at the Geneva University of Arts and Design (HEAD).
\nHe is a member of the editorial committee of the art journal Critique d\u2019art, and contributed to magazines such as Art Press, Blocnotes and Flash Art. He has published essays, articles, interviews and catalogues on the work of Maria Thereza Alves, Jimmie Durham, Teresa Margolles, Allan Sekula, Bruno Serralongue, C\u00e9cile Hartmann and Wang Du, among others.
\nRecent exhibitions curated by Pascal Beausse include La Cabane (Palais de Tokyo, Paris, 2006); Welcome to Heterotopia!! (Echigo-Tsumari Art Triennial, Tokamachi, 2006); Void Has No Exit (Creative Union, Hiroshima, 2008); Numero Tres (La Virreina \u2013 centre de la imatge, Barcelona, 2012), Documents pour une information alternative (Rencontres d\u2019Arles, 2012), Knowledge is Power (PhotoEspa\u00f1a, Madrid, 2013), The Secret Sea (Onomichi City Museum of Art, Onomichi, 2013), among others.
\nPascal Beausse was a resident at Villa Kujoyama in 2007.<\/p>\n![\"Tetsuya_Ozaki72\"](\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2015\/03\/Tetsuya_Ozaki721.jpg\")
Tetsuya Ozaki<\/b>
\nBorn in Tokyo in 1955. Publisher and chief editor of culture web magazines \u201cRealtokyo\u201d (www.realtokyo.co.jp) and \u201cRealkyoto\u201d (www.realkyoto.jp). Former publisher and chief editor of a bilingual contemporary art magazine \u201cART iT\u201d (www.art-it.asia) which aims to cover the Japanese and Asian-Pacific art scenes. He was involved in the establishment of a culture magazine \u201c03 Tokyo Calling\u201d as deputy chief editor in 1989, was in charge of editorial direction of the Japan pavilion \u201cSensorium\u201d of Internet World Expo in 1996 and the theme magazine \u201cCou-cou no chi\u201d of Aichi World Expo 2005. He founded \u201cRealtokyo\u201d in 1999, \u201cART iT\u201d in 2003, and \u201cRealkyoto\u201d in 2007. Among his productions are a CD-ROM book \u201cMultimedia Kabuki\u201d and \u201cOne Hundred Years of Idiocy,\u201d a photography book with contributions by anthropologist Claude Levi-Strauss, author Ikezawa Natsuki, movie director Abbas Kiarostami and others. He left the ART iT company in 2010, and became General Producer of performing arts section, Aichi Triennale 2013. He wrote and published a photo book \u201cOne Hundred Years of Lunacy\u201d in 2014 and currently is a guest researcher, Academic Research Center, Kyoto University of Art and Design.<\/p>\n