{"id":4633,"date":"2016-04-01T05:24:49","date_gmt":"2016-03-31T20:24:49","guid":{"rendered":"http:\/\/www.kyotographie.jp\/en\/event\/%e3%82%ad%e3%83%a5%e3%83%ac%e3%83%bc%e3%82%bf%e3%83%bc%e3%83%84%e3%82%a2%e3%83%bc-%e3%83%95%e3%82%a1%e3%83%83%e3%82%b7%e3%83%a7%e3%83%b3%e5%86%99%e7%9c%9f%e3%81%a7%e3%81%bf%e3%82%8b100%e5%b9%b4"},"modified":"2016-04-23T02:07:05","modified_gmt":"2016-04-22T17:07:05","slug":"curator-tour-coming-into-fashion","status":"publish","type":"tribe_events","link":"https:\/\/2015.kyotographie.jp\/en\/event\/curator-tour-coming-into-fashion","title":{"rendered":"Curator Tour: Coming into Fashion"},"content":{"rendered":"<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-df5f8a540fc780cb248d5df99c60528c\" ><p>Nathalie Herschdorfer, curator of &#8220;Coming into Fashion, a Century of Photography at Cond\u00e9 Nast&#8221;, discusses how fashion photography has been developed over 100 years. The exhibition, carefully selected from the archives of Cond\u00e9 Nast (publisher of the legendary Vogue magazine), shows how fashion photography can be both creative and commercial, experimental and popular.<\/div><\/div>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-7d19c29dc9532188b00b6ac3f00f4eb1\" ><div class=\"row \"><div class=\"wpv-grid grid-1-3  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-db1e16d8486d3bdc4ce860096d295d75\" ><p><div id=\"attachment_4631\" style=\"width: 343px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2016\/04\/Nathalie-Herschdorfer_\u00a92015-Am\u00e9lie-Blanc.jpg\" rel=\"attachment wp-att-3852\"><img aria-describedby=\"caption-attachment-4631\" loading=\"lazy\" class=\"wp-image-4631 size-full\" src=\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2016\/04\/Nathalie-Herschdorfer_\u00a92015-Am\u00e9lie-Blanc.jpg\" alt=\"\" width=\"333\" height=\"500\" srcset=\"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2016\/04\/Nathalie-Herschdorfer_\u00a92015-Am\u00e9lie-Blanc.jpg 333w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2016\/04\/Nathalie-Herschdorfer_\u00a92015-Am\u00e9lie-Blanc-200x300.jpg 200w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2016\/04\/Nathalie-Herschdorfer_\u00a92015-Am\u00e9lie-Blanc-262x393.jpg 262w\" sizes=\"(max-width: 333px) 100vw, 333px\" \/><\/a><p id=\"caption-attachment-4631\" class=\"wp-caption-text\">\u00a92015 Am\u00e9lie Blanc<\/p><\/div><\/div>\n<div class=\"wpv-grid grid-2-3  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-8450fd76e5ff6ad5ed8a3ec9d8bb327a\" ><p>Nathalie Herschdorfer is a curator and art historian specializing in the history of photography.<\/p>\n<p>She is currently Director of the Museum of Fine Arts, Le Locle, Switzerland. In 2010 she was named director of the photography festival Alt. +1000 in Switzerland for which she curated two years of programming. She has also been working as a curator with the Foundation for the Exhibition of Photography (FEP) for several years. Previously, she was a curator at the Mus\u00e9e de l\u2019Elys\u00e9e in Lausanne, where she worked for twelve years on major exhibitions, including Face: the Death of the Portrait, and retrospectives of Edward Steichen, Leonard Freed, Ray K. Metzker and Val\u00e9rie Belin. She is the author of Afterwards: Contemporary Photography Confronting the Past (2011), editor of Le Corbusier and the Power of Photography (2012) and co-author, with William A. Ewing, of reGeneration: Tomorrow\u2019s Photographers Today, two books dedicated to emerging photography on the international scene. Among her recent projects are a dictionary of photography including over 1,200 concise yet fully detailed entries on all aspects of the subject (Thames &#038; Hudson\/Editions de La Martini\u00e8re, 2015), the book NewSwissArchitecture (2015), and Coming into Fashion: A Century of Photography at Cond\u00e9 Nast, a travelling exhibition produced by FEP and accompanied by a book published in 6 editions.<\/div><\/div>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-2  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-c7963ca93ecfaaf82b0b20066658570b\" ><p>We have closed the application for this event.<br \/>\nThank you for a lot of applicants!<\/div>\n<div class=\"wpv-grid grid-1-2  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-d5b6da1f296f8192ed9c9dd476de9955\" ><h5>[Fee]<\/h5>\n<p>Free<\/p>\n<h5>[Language]<\/h5>\n<p>English with Japanese translation<\/p>\n<h5>[Program name for reservation]<\/h5>\n<p>Curator Tour: Coming into Fashion<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nathalie Herschdorfer, curator of &#8220;Coming into Fashion, a Century of Photography at Cond\u00e9 Nast&#8221;, discusses how fashion photography has been developed over 100 years. The exhibition, carefully selected from the archives of Cond\u00e9 Nast (publisher of the legendary Vogue magazine), shows how fashion photography can be both creative and commercial, experimental and popular.[\/column_1] Nathalie Herschdorfer&#8230;<\/p>\n","protected":false},"author":2,"featured_media":4630,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[37,40],"_links":{"self":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/4633"}],"collection":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/comments?post=4633"}],"version-history":[{"count":0,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/4633\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media\/4630"}],"wp:attachment":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media?parent=4633"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tags?post=4633"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=4633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}