{"id":5071,"date":"2016-04-12T19:29:28","date_gmt":"2016-04-12T10:29:28","guid":{"rendered":"http:\/\/www.kyotographie.jp\/en\/event\/ichida-sotas-kansai-with-claude-estebe-2"},"modified":"2016-04-29T11:55:54","modified_gmt":"2016-04-29T02:55:54","slug":"ichida-sotas-kansai-with-claude-estebe-2","status":"publish","type":"tribe_events","link":"https:\/\/2015.kyotographie.jp\/en\/event\/ichida-sotas-kansai-with-claude-estebe-2","title":{"rendered":"Ichida Sota’s Kansai with Claude Estebe"},"content":{"rendered":"

“Join Claude Estebe in an in an intimate discussion looking at Ichida S\u00f4ta’s beautiful albums featuring Kansai. Ishida S\u00f4ta \u5e02\u7530\u5de6\u53f3\u592a (1843 – 1896), who founded the largest studio of Kobe in Meiji era is probably the least known of the great photographers of this period. Ichida Sota was born in Hyogo and moved to Kyoto in the early 1860s where he married the daughter of a sake brewer and set up a photo studio in 1867. In 1870 he transferred his studio in the new Kobe port where he Documented the Hanshin Railway construction for over 8 years.<\/p>\n

Ichida set up again a studio in Kyoto for the first fair exhibition in Kyoto (1872). There, he took exquisite portraits of geiko and stunning landscapes. In an advertisement in the Hiogo News he stated that we could find on his Kyoto stand “”a full assortment of splendid photographic views of Kyoto, Osaka, Hiogo, Kobe Suma, Akashi”” in his “”well-know style of work “”.”<\/div><\/div>\n

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Claude Estebe \u2013 Photographer, Institut national des langues et civilisations orientales<\/p>\n

Born in 1959, Claude Est\u00e8be is a
\nFrench photographer and researcher on Japanese visual culture. He is a former resident artist at
\nVilla Kujoyama in Kyoto. His photographic artwork is now focusing on aesthetic archetypes and copyright issues through globalized plastic toys production (Tukata, Choking Hazard, Radium Girls & Pachimon series). In 2013, he was in residence at Toot Yung Art Center (Bangkok). He wrote his Ph.D.
\nthesis on nineteen century’s Japanese photography at INALCO
\n(French National University of Oriental Languages) and got a Louis Roederer’s research grant at the French National Library.
\nHe published Les Derniers Samoura\u00efs and Le Cr\u00e9puscule des Geishas at Marval editions (2001, 2002). His last book, Yokohama shashin, has just being published in
\n2014 by Yellowkorner editions (French & English). He is now
\nteaching at INALCO and carries out expertise work for institutions like Guimet Asian Art Museum.
\nClaude Est\u00e8be curated several exhibitions in Japan and Thailand, including First photographs in Siam, Bangkok Queen Gallery, 2008, and Christian Polak collection, Toraya \u2013 Kyotographie, 2013.<\/div><\/div>\n

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