{"id":5074,"date":"2016-04-12T20:53:17","date_gmt":"2016-04-12T11:53:17","guid":{"rendered":"http:\/\/www.kyotographie.jp\/en\/event\/talk-book-signing-by-keiichiro-hirano-michio-hayashi-2"},"modified":"2016-04-12T20:58:26","modified_gmt":"2016-04-12T11:58:26","slug":"talk-book-signing-keiichiro-hirano-michio-hayashi","status":"publish","type":"tribe_events","link":"https:\/\/2015.kyotographie.jp\/en\/event\/talk-book-signing-keiichiro-hirano-michio-hayashi","title":{"rendered":"Talk & book signing by Keiichiro Hirano & Michio Hayashi"},"content":{"rendered":"

Join Akutagawa Prize winner Keiichiro Hirano and Michio Hayashi in a talk related to KYOTOGRAPHIE 2016. Hirano who is closely related to Kyoto and Hayashi who is also active as a photography critic share their unique insight on the festival. There will be booksigning after the talk. No booking required.<\/div><\/div>\n

<\/div>\n

\"keiichiro_hirano\"<\/a>
\nPhotograph by Mikiya Takimoto<\/small><\/div>\n

Keiichiro Hirano<\/p>\n

Keiichiro Hirano is a Japanese novelist, born in Aichi prefecture in 1975 and raised in Kita-kyushu city. He graduated from the Law Department of Kyoto University. He published his first novel, L\u2019Ecripse (\u65e5\u8755), on one of the most authoritative literary magazine, Shinch? (\u65b0\u6f6e) , in 1999 and won the 120th Akutagawa Prize. Since then, he has produced many works, the translations of which are available in various languages, various countries. He published novels, such as Funeral (\u846c\u9001), Ripples the Dripping Clocks Make (\u6ef4\u308a\u843d\u3061\u308b\u6642\u8a08\u9054\u306e\u6ce2\u7d0b), Collapse (\u6c7a\u58ca), Dawn (\u30c9\u30fc\u30f3), and The Only Form of Love (\u304b\u305f\u3061\u3060\u3051\u306e\u611b), and also a book of essays, Monologue (\u30e2\u30ce\u30ed\u30fc\u30b0), and interviews, Dialogue (\u30c7\u30a3\u30a2\u30ed\u30fc\u30b0). His latest works are an essay, What Is I?: From Individual to Dividual (\u79c1\u3068\u306f\u4f55\u304b \u300c\u500b\u4eba\u300d\u304b\u3089\u300c\u5206\u4eba\u300d\u3078), and a long novel, Fill in the blanks (\u7a7a\u767d\u3092\u6e80\u305f\u3057\u306a\u3055\u3044).<\/div><\/div>\n

<\/div>\n

\"michio_hayashi\"<\/a><\/div>\n

Michio Hayashi<\/p>\n

Professor, Sophia University, Faculty of Liberal Arts.
\nPh. D. from Columbia University. Current position since 2003 specializing in art history and visual culture. Publications include Painting Dies Twice, or Never, vol.1-7 (Tokyo: Art Trace, 2003-2009), Natsuyuki Nakanishi (New York: Fergus McCaffrey Gallery, 2014), Tadaaki Kuwayama (Fellbach: Edition Axel Menges, 2014), Shisha to tomoni ikiru (To live with the dead) (Tokyo; Gendai Shokan, 2015), \u201cTracing the Graphic in Postwar Japanese Art,\u201d Tokyo 1955-1970: A New Avant-Garde (exhibition catalogue), The Museum of Modern Art, New York: 94-119. Recently co-edited a volume of Japanese postwar art criticism, From Postwar to Postmodern: Art in Japan 1945-1989 (New York: The Museum of Modern Art, 2012). Co-curated the international exhibition, Cubism in Asia in 2005 (The National Museum of Modern Art, Tokyo, The National Museum of Contemporary Art, Korea, Singapore Art Museum).<\/div><\/div>\n

<\/div>\n
[Fee]<\/h5>\n

Free<\/p>\n

[Language]<\/h5>\n

Japanese<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Join Akutagawa Prize winner Keiichiro Hirano and Michio Hayashi in a talk related to KYOTOGRAPHIE 2016. Hirano who is closely related to Kyoto and Hayashi who is also active as a photography critic share their unique insight on the festival. There will be booksigning after the talk. No booking required. Photograph by Mikiya Takimoto[\/column_1] Keiichiro…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[40],"_links":{"self":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/5074"}],"collection":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/comments?post=5074"}],"version-history":[{"count":1,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/5074\/revisions"}],"predecessor-version":[{"id":5075,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/5074\/revisions\/5075"}],"wp:attachment":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media?parent=5074"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tags?post=5074"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=5074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}