{"id":5488,"date":"2016-04-19T11:58:36","date_gmt":"2016-04-19T02:58:36","guid":{"rendered":"http:\/\/www.kyotographie.jp\/en\/event\/artist-talk-encountering-midway"},"modified":"2016-04-29T12:05:08","modified_gmt":"2016-04-29T03:05:08","slug":"artist-talk-encountering-midway","status":"publish","type":"tribe_events","link":"https:\/\/2015.kyotographie.jp\/en\/event\/artist-talk-encountering-midway","title":{"rendered":"Artist Talk: Encountering Midway with Chris Jordan"},"content":{"rendered":"
On an island in the middle of the world\u2019s largest ocean, a symbolic tragedy is taking place: tens of thousands of albatrosses are dying, with their stomachs filled with plastic. Jordan will take us on a journey to Midway.
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Chris Jordan<\/p>\n

Photographic artist Chris Jordan, born 1963 in San Francisco, creates bold tableaux to illuminate and question contemporary mass culture. His Intolerable Beauty: Portraits of American Mass Consumption (2003\u20132005) focused on the detritus of consumer society; while his Running
\nthe Numbers: An American Self-Portrait (2006) claimed worldwide attention for its pointed material visualizations of alarming but otherwise abstract statistics. He received the 2010 Ansel Adams Award for Excellence in Conservation Photography.
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Free<\/p>\n

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English<\/p>\n

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Artist Talk: Encountering Midway with Chris Jordan
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On an island in the middle of the world\u2019s largest ocean, a symbolic tragedy is taking place: tens of thousands of albatrosses are dying, with their stomachs filled with plastic. Jordan will take us on a journey to Midway.<\/p>\n","protected":false},"author":2,"featured_media":2926,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[37,40],"_links":{"self":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/5488"}],"collection":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/comments?post=5488"}],"version-history":[{"count":0,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/5488\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media\/2926"}],"wp:attachment":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media?parent=5488"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tags?post=5488"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=5488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}