{"id":7617,"date":"2017-03-28T15:00:18","date_gmt":"2017-03-28T06:00:18","guid":{"rendered":"http:\/\/www.kyotographie.jp\/en\/event\/strategies-of-a-master"},"modified":"2017-04-15T01:45:59","modified_gmt":"2017-04-14T16:45:59","slug":"strategies-of-a-master","status":"publish","type":"tribe_events","link":"https:\/\/2015.kyotographie.jp\/en\/event\/strategies-of-a-master","title":{"rendered":"Exhibition Tour: \u201cStrategies of a Master\u201d With Curator William Ewing and the artist&#8217;s son David Newman"},"content":{"rendered":"<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-91c022d713cc7685028449c4a8e14bd1\" ><p>Please join us to discuss in depth Newman\u2019s ideas, working methods and strategies as one of the 20th century\u2019s most influential portraitists. We will be looking closely at the photographer\u2019s life and his unique approach to his art, what has been called \u2018environmental portraiture\u2019. A lively conversation will also trace a brief history of the portrait in photography, noting Newman&#8217;s innovations. We will also analyze in depth certain iconic images. Lastly, we will discuss the arc of his career, his satisfactions and disappointments as he fought to raise the public\u2019s appreciation of the photographic portrait.<br \/>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-8742bffb61ef34ce24f16b0cf6be4c46\" ><div class=\"row \"><div class=\"wpv-grid grid-2-5  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-e8ebbb4962ea11c0a68b42884307c79d\" ><img loading=\"lazy\" src=\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1.jpg\" alt=\"\" width=\"500\" height=\"500\" class=\"alignnone size-full wp-image-6343\" srcset=\"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1.jpg 500w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1-150x150.jpg 150w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1-300x300.jpg 300w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1-60x60.jpg 60w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1-43x43.jpg 43w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1-106x106.jpg 106w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1-360x360.jpg 360w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/02\/PR_William-A.-Ewing_1-262x262.jpg 262w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><br \/><\/div>\n<div class=\"wpv-grid grid-3-5  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-f16dc9cf000be2c23941f4eee72f8515\" ><h5>William A. Ewing<\/h5>\n<p>From 1977 to 1984 William Ewing was Director of Exhibitions at the International Center of Photography, New York, and from 1996 to 2010 Director of the Mus\u00e9e de l\u2019Elys\u00e9e, Lausanne, while also teaching at the University of Geneva. He has served on many juries over the years, and shown at a number of international photography festivals, as well as co-curating the New York Photo Festival in 2009. Since 2010 he has worked as a curator for the Foundation for the Exhibition of Photography, Minneapolis and Lausanne, and since 2015, for the Foundation Car\u00e8ne, Switzerland. He is also currently Director of Curatorial Projects for Thames &#038; Hudson, London.<br \/>\nSince the late 1970s Ewing\u2019s exhibitions have been shown at many major museums in America and Europe, including: the Museum of Modern Art and ICP, New York; the Jeu de Paume and the Centre Pompidou, Paris; the Hayward, Barbican and Serpentine Galleries, London; the Kunsthaus Z\u00fcrich; the Folkwang Museum, Essen; the Walker Art Center, Minneapolis; the Setagaya Art Museum, Tokyo; the National Gallery of Victoria, Melbourne; and the Art Gallery of Ontario.<br \/>\nEwing\u2019s books include monographs on George Hoyningen-Huene, Erwin Blumenfeld, Dan Weiner, Ray Metzker, Leonard Freed and Arnold Newman, while his thematic books include Out of Focus, for the Saatchi Gallery, Lasting Impressions for Steidl, Flora Photographica, The Body, The Face: The New Photographic Portraiture; The Century of the Body, Landmark: The Fields of Landscape Photography, all for Thames &#038; Hudson. His most recent book is Edward Burtynsky: Essential Elements, while William Wegman: Being Human will be published in 2017.<br \/>\nIn 2010 Ewing was awarded the status of Officer in the French Order of Arts and Letters, and in 2016 won the Outstanding Service to Photography Award from the Royal Photographic Society. He lives and works in Lausanne and London.<\/div><\/div><\/div><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-7a9457828f421f6d5cce4633b2a7122e\" ><!--\n&#091;column_2 width=\"2\/5\" title=\"\" title_type=\"single\" animation=\"none\" implicit=\"true\"&#093;\n\n&#091;\/column_2&#093;\n--><br \/>\n<div class=\"row \"><div class=\"wpv-grid grid-3-5  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-b1221dbb817fb2a4f44f919457855678\" ><h5>David Newman<\/h5>\n<p>Born March 26, 1952 in New York City.<br \/>\nMarried Deirdre Steinberg, 1985<br \/>\nDaniel Newman born 1986<br \/>\nEmma Newman born 1989<br \/>\nBachelor\u2019s degree in Anthropology, UC Berkeley, 1973<br \/>\nMasters degree in Architecture, UC Berkeley, 1978<br \/>\n1978 \u2013 1993: Cabinetmaker and furniture designer<br \/>\n1993 \u2013 2010: Architectural Millwork Project Manager<br \/>\n2007 \u2013 present: Vice President, Arnold and Augusta Newman Foundation<br \/>\n2013 \u2013 2016: President, Oregon Jewish Museum and Center for Holocaust Education<\/div><\/div><\/div><\/div><\/div><\/div>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-1c3e1f71481923e2495fc3c1986c1a7b\" ><div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-2  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-8ed413bad442329dd421a158131c51c6\" ><p>This event is full.<br \/>\nThank you for many applications!<\/div>\n<div class=\"wpv-grid grid-1-2  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-ff816f5d31e330be736e60163eab213d\" ><h5>[Related Exhibition]<\/h5>\n<p><a href=\"http:\/\/www.kyotographie.jp\/en\/portfolio\/arnold-newman\" title=\"Arnold Newman\">Arnold Newman | Masterclass presented by BMW<\/a><\/p>\n<h5>[fee]<\/h5>\n<p>FREE (with Nijo-jo and exhibition entry)<\/p>\n<h5>[language]<\/h5>\n<p>English with Japanese translation<\/p>\n<h5>[Program name for reservation]<\/h5>\n<p>Exhibition Tour: \u201cStrategies of a Master\u201d<br \/>\nWith Curator William Ewing and the artist&#8217;s son David Newman<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Please join us to discuss in depth Newman\u2019s ideas, working methods and strategies as one of the 20th century\u2019s most influential portraitists. We will be looking closely at the photographer\u2019s life and his unique approach to his art, what has been called \u2018environmental portraiture\u2019. A lively conversation will also trace a brief history of the&#8230;<\/p>\n","protected":false},"author":2,"featured_media":7562,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[52,45,46],"_links":{"self":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7617"}],"collection":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/comments?post=7617"}],"version-history":[{"count":7,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7617\/revisions"}],"predecessor-version":[{"id":8985,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7617\/revisions\/8985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media\/7562"}],"wp:attachment":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media?parent=7617"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tags?post=7617"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=7617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}