{"id":7654,"date":"2017-03-21T18:55:39","date_gmt":"2017-03-21T09:55:39","guid":{"rendered":"http:\/\/www.kyotographie.jp\/en\/event\/talk-mapplethorpe"},"modified":"2017-04-20T17:46:37","modified_gmt":"2017-04-20T08:46:37","slug":"talk-mapplethorpe","status":"publish","type":"tribe_events","link":"https:\/\/2015.kyotographie.jp\/en\/event\/talk-mapplethorpe","title":{"rendered":"Reconsider Mapplethorpe"},"content":{"rendered":"<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-cd2e4bd29e6182ea26179744ab54245d\" ><div class=\"row \"><div class=\"wpv-grid grid-1-1  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-71c5b80be35fb5f1f50af8ed28655c82\" ><p>Mapplethorpe created many masterpieces which some are now considered classics. However, back then, he was a dangerous photographer running in top gear at the cutting edge of New York&#8217;s art scene in the 1970&#8217;s and the 80&#8217;s, then sadly died in the AIDS epidemic. This event will explore his comings and goings between now and then, analyzing his career at different levels.<\/div><\/div>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-9b2b2847a6b72b34911d19f5d016e4f0\" ><div class=\"row \"><div class=\"wpv-grid grid-2-5  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-b019de7d61801841a0b73fd0a9a0ff8f\" ><p><img loading=\"lazy\" class=\"alignnone size-full wp-image-7537\" src=\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira.jpg\" alt=\"\" width=\"549\" height=\"835\" srcset=\"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira.jpg 549w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira-197x300.jpg 197w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira-360x548.jpg 360w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira-262x398.jpg 262w\" sizes=\"(max-width: 549px) 100vw, 549px\" \/><\/div>\n<div class=\"wpv-grid grid-3-5  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-be96a386277044c075d49bd06e2cd5ee\" ><h5>Akira Asada<\/h5>\n<p>Critic, Associate Professor of Kyoto University of Art and Design, Kyoto.<\/div><\/div><\/div><\/div><\/div><\/div>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-b548984851a347b90f610f0861f4d04d\" ><div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-2  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-44ba7369b01e2beab296f0846dda60a1\" ><p>This event is full.<br \/>\nThank you for many applications!<\/div>\n<div class=\"wpv-grid grid-1-2  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-38c7d487fdfcf169609cff19a0aab32a\" ><h5>[Related Exhibition]<\/h5>\n<p><a title=\"Mapplethorpe\" href=\"http:\/\/www.kyotographie.jp\/portfolio\/robert-mapplethorpe\">MEMENTO MORI | Robert Mapplethorpe Photographs from the Peter Marino Collection presented by CHANEL NEXUS HALL<\/a><\/p>\n<h5>[fee]<\/h5>\n<p>FREE<\/p>\n<h5>[language]<\/h5>\n<p>Japanese<\/p>\n<h5>[Program name for reservation]<\/h5>\n<p>Reconsider Mapplethorpe<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Mapplethorpe created many masterpieces which some are now considered classics. However, back then, he was a dangerous photographer running in top gear at the cutting edge of New York&#8217;s art scene in the 1970&#8217;s and the 80&#8217;s, then sadly died in the AIDS epidemic. This event will explore his comings and goings between now and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":6708,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[45,46],"_links":{"self":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7654"}],"collection":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/comments?post=7654"}],"version-history":[{"count":8,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7654\/revisions"}],"predecessor-version":[{"id":9069,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7654\/revisions\/9069"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media\/6708"}],"wp:attachment":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media?parent=7654"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tags?post=7654"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=7654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}