{"id":7654,"date":"2017-03-21T18:55:39","date_gmt":"2017-03-21T09:55:39","guid":{"rendered":"http:\/\/www.kyotographie.jp\/en\/event\/talk-mapplethorpe"},"modified":"2017-04-20T17:46:37","modified_gmt":"2017-04-20T08:46:37","slug":"talk-mapplethorpe","status":"publish","type":"tribe_events","link":"https:\/\/2015.kyotographie.jp\/en\/event\/talk-mapplethorpe","title":{"rendered":"Reconsider Mapplethorpe"},"content":{"rendered":"<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-5af2152a121f545d10261a1d0b997f31\" ><div class=\"row \"><div class=\"wpv-grid grid-1-1  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-1db179d82749d457484899aa4bf95808\" ><p>Mapplethorpe created many masterpieces which some are now considered classics. However, back then, he was a dangerous photographer running in top gear at the cutting edge of New York&#8217;s art scene in the 1970&#8217;s and the 80&#8217;s, then sadly died in the AIDS epidemic. This event will explore his comings and goings between now and then, analyzing his career at different levels.<\/div><\/div>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-945e9e0cc53405833eef598342ac39e5\" ><div class=\"row \"><div class=\"wpv-grid grid-2-5  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-33be0780df68b5fa9f6e69220275ecb7\" ><p><img loading=\"lazy\" class=\"alignnone size-full wp-image-7537\" src=\"http:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira.jpg\" alt=\"\" width=\"549\" height=\"835\" srcset=\"https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira.jpg 549w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira-197x300.jpg 197w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira-360x548.jpg 360w, https:\/\/2015.kyotographie.jp\/wp-content\/uploads\/2017\/03\/asada_akira-262x398.jpg 262w\" sizes=\"(max-width: 549px) 100vw, 549px\" \/><\/div>\n<div class=\"wpv-grid grid-3-5  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-2ac014d435dc07e020c17dd0f452a476\" ><h5>Akira Asada<\/h5>\n<p>Critic, Associate Professor of Kyoto University of Art and Design, Kyoto.<\/div><\/div><\/div><\/div><\/div><\/div>\n<div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-1  wpv-first-level first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-82c22f87c43565a765e7be7654c77a8a\" ><div class=\"push\" style='height:30px'><\/div>\n<div class=\"row \"><div class=\"wpv-grid grid-1-2  first unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-7c56289d2ee8d67e8d962c84dffa8622\" ><p>This event is full.<br \/>\nThank you for many applications!<\/div>\n<div class=\"wpv-grid grid-1-2  unextended\" style=\"padding-top:0px;padding-bottom:0px\" id=\"wpv-column-b20fbb2463550142bd5deaf9f74e5819\" ><h5>[Related Exhibition]<\/h5>\n<p><a title=\"Mapplethorpe\" href=\"http:\/\/www.kyotographie.jp\/portfolio\/robert-mapplethorpe\">MEMENTO MORI | Robert Mapplethorpe Photographs from the Peter Marino Collection presented by CHANEL NEXUS HALL<\/a><\/p>\n<h5>[fee]<\/h5>\n<p>FREE<\/p>\n<h5>[language]<\/h5>\n<p>Japanese<\/p>\n<h5>[Program name for reservation]<\/h5>\n<p>Reconsider Mapplethorpe<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Mapplethorpe created many masterpieces which some are now considered classics. However, back then, he was a dangerous photographer running in top gear at the cutting edge of New York&#8217;s art scene in the 1970&#8217;s and the 80&#8217;s, then sadly died in the AIDS epidemic. This event will explore his comings and goings between now and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":6708,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[],"tribe_events_cat":[45,46],"_links":{"self":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7654"}],"collection":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/comments?post=7654"}],"version-history":[{"count":8,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7654\/revisions"}],"predecessor-version":[{"id":9069,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events\/7654\/revisions\/9069"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media\/6708"}],"wp:attachment":[{"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/media?parent=7654"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tags?post=7654"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/2015.kyotographie.jp\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=7654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}